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NEW QUESTION: 1
Which condition will prevent HPE OneView from reapplying a server profile?
A. The server hardware is in a degraded state.
B. The server hardware is powered off.
C. The server hardware matches the server hardware type defined in the profile.
D. The server profile is assigned to the server hardware.
NEW QUESTION: 2
Identify the INCORRECT statement related to network performance below?
A. Error Rate - Error rate the number of corrupted bits expressed as a percentage or fraction of the total sent
B. Jitter - Jitter variation in the time of arrival at the receiver of the information
C. Bandwidth - Bandwidth commonly measured in bits/second is the maximum rate that information can be transferred
D. Latency - Latency the actual rate that information is transferred
The word INCORRECT is the keyword used within the question. You need to find out a statement which is incorrectly describe about network performance. Throughput the actual rate that information is transferred and Latency is the delay between the sender and the receiver decoding it, this is mainly a function of the signals travel time, and processing time at any nodes the information traverses For your exam you should know below information about Network performance:
Network performance refers to measurement of service quality of a telecommunications product as seen by the customer.
The following list gives examples of network performance measures for a circuit-switched network and one type of packet-switched network (ATM):
Circuit-switched networks: In circuit switched networks, network performance is synonymous with the grade of service. The number of rejected calls is a measure of how well the network is performing under heavy traffic loads. Other types of performance measures can include noise, echo and so on.
ATM: In an Asynchronous Transfer Mode (ATM) network, performance can be measured by line rate, quality of service (QoS), data throughput, connect time, stability, technology, modulation technique and modem enhancements.
There are many different ways to measure the performance of a network, as each network is different in nature and design. Performance can also be modeled instead of measured; one example of this is using state transition diagrams to model queuing performance in a circuit-switched network. These diagrams allow the network planner to analyze how the network will perform in each state, ensuring that the network will be optimally designed.
The following measures are often considered important:
Bandwidth - Bandwidth is commonly measured in bits/second is the maximum rate that information can be transferred
Throughput - Throughput is the actual rate that information is transferred Latency - Latency is the delay between the sender and the receiver decoding it, this is mainly a function of the signals travel time, and processing time at any nodes the information traverses Jitter - Jitter is the variation in the time of arrival at the receiver of the information Error Rate - Error rate is the number of corrupted bits expressed as a percentage or fraction of the total sent
The following answers are incorrect:
The other options correctly describe network performance parameters.
The following reference(s) were/was used to create this question:
CISA review manual 2014 page number 275
NEW QUESTION: 3
Mathew ascended three flights of stairs - passed half-way down a long arched gallery - and knocked at
another old-fashioned oak door. This time the signal was answered. A low, clear, sweet voice, inside the
room, inquired who was waiting without? In a few hasty words Mathew told his errand. Before he had done
speaking the door was quietly and quickly opened, and Sarah Leeson confronted him on the threshold,
with her candle in her hand.
Not tall, not handsome, not in her first youth - shy and irresolute in manner - simple in dress to the
utmost limits of plainness - the lady's-maid, in spite of all these disadvantages, was a woman whom it
was impossible to look at without a feeling of curiosity, if not of interest. Few men, at first sight of her, could
have resisted the desire to find out who she was; few would have been satisfied with receiving for answer,
She is Mrs. Treverton's maid; few would have refrained from the attempt to extract some secret information
for themselves from her face and manner; and none, not even the most patient and practiced of observers,
could have succeeded in discovering more than that she must have passed through the ordeal of some
great suffering at some former period of her life. Much in her manner, and more in her face, said plainly
and sadly: I am the wreck of something that you might once have liked to see; a wreck that can never be
repaired - that must drift on through life unnoticed, unguided, unpitied - drift till the fatal shore is
touched, and the waves of Time have swallowed up these broken relics of me forever.
This was the story that was told in Sarah Leeson's face - this, and no more. No two men interpreting that
story for themselves, would probably have agreed on the nature of the suffering which this woman had
undergone. It was hard to say, at the outset, whether the past pain that had set its ineffaceable mark on
her had been pain of the body or pain of the mind. But whatever the nature of the affliction she had
suffered, the traces it had left were deeply and strikingly visible in every part of her face.
Her cheeks had lost their roundness and their natural color; her lips, singularly flexible in movement and
delicate in form, had faded to an unhealthy paleness; her eyes, large and black and overshadowed by
unusually thick lashes, had contracted an anxious startled look, which never left them and which piteously
expressed the painful acuteness of her sensibility, the inherent timidity of her disposition. So far, the marks
which sorrow or sickness had set on her were the marks common to most victims of mental or physical
suffering. The one extraordinary personal deterioration which she had undergone consisted in the
unnatural change that had passed over the color of her hair.
It was as thick and soft, it grew as gracefully, as the hair of a young girl; but it was as gray as the hair of an
old woman. It seemed to contradict, in the most startling manner, every personal assertion of youth that
still existed in her face. With all its haggardness and paleness, no one could have looked at it and
supposed for a moment that it was the face of an elderly woman. Wan as they might be, there was not a
wrinkle in her cheeks. Her eyes, viewed apart from their prevailing expression of uneasiness and timidity,
still preserved that bright, clear moisture which is never seen in the eyes of the old. The skin about her
temples was as delicately smooth as the skin of a child. These and other physical signs which never
mislead, showed that she was still, as to years, in the very prime of her life.
Sickly and sorrow-stricken as she was, she looked, from the eyes downward, a woman who had barely
reached thirty years of age. From the eyes upward, the effect of her abundant gray hair, seen in
connection with her face, was not simply incongruous-it was absolutely startling; so startling as to make it
no paradox to say that she would have looked most natural, most like herself if her hair had been dyed. In
her case, Art would have seemed to be the truth, because Nature looked like falsehood.
What shock had stricken her hair, in the very maturity of its luxuriance, with the hue of an unnatural old
age? Was it a serious illness, or a dreadful grief that had turned her gray in the prime of her womanhood?
That question had often been agitated among her fellow-servants, who were all struck by the peculiarities
of her personal appearance, and rendered a little suspicious of her, as well, by an inveterate habit that she
had of talking to herself. Inquire as they might, however, their curiosity was always baffled. Nothing more
could be discovered than that Sarah Leeson was, in the common phrase, touchy on the subject of her gray
hair and her habit of talking to herself, and that Sarah Leeson's mistress had long since forbidden
everyone, from her husband downward, to ruffle her maid's tranquility by inquisitive questions.
What can the reader infer about the setting from the limited information in paragraph one?
A. It is a large, old house.
B. It is a large house with up-to-date modifications.
C. The house is in the country.
D. It is a rather small house with ornate architecture.
E. The house is located in a city.
The house is large as Mathew had to ascend three flights of stairs and pass down a long arched gallery. It
is also old as he knocked on another old-fashioned oak door and was met with someone lighting the way
with a candle.